haven't run into a better one yet

About the fingerings I must say that in some pieces I tend to alter them a lot, but this is most of the time a matter of personal taste and style. It's just in a few cases that they realy need to be changed, and this is perfectly normal in a book that covers all of Bach's works for lute.
Concerning the musicall content, this is a very good edition. I also liked the "ottava bassa" indications on the basses. This way you get a clear picture of the original bassline, and anyone that has ever played this suites knows how important they are.
Price is also very appealing.

Met with approval

I recently attended a 40 hour session of master classes that focused on interpretation of Baroque music on the modern guitar. Most of the attendees were students at conservatories - the general consensus was that this edition is superb. There may be others as good, but this one is certainly up to standard. During the class, we often referred to this edition to correct errors in the other student's scores.

Of course, any transcription for the guitar makes changes, drops some notes, looses some voices, etc. The maestro's opinion (a specialist in music of the period) was that the compromises in this edition are quite fine.

Of course, one should always have as close to the original texts as possible for reference.

As close as you can get

The text is for advance guitarist. Fingering made perfect musical sense. One of the best by far of J.S. Bach lute transciptions. Notation based from the original works are available for study or evaluation. This work is a necessary tool for those interested in The Lute Suites.